Music With Me

Music With Me is a piece of music where the visitor controls the changes of sections, the intensity of the piano, bass and cajun and the synth lead phrases. It’s recorded by Hans Lindetorp in a standard, linear manner with the A-section played with the intensity going from low to high across 16 bars. The B-section was then played with the intensity decreasing across another 16 bars.

The aim was to identify some challenges and solutions in the process in turning a linear recording into a non-linear production where the visitor is given the tools to control parts of the music. My plan was to perform the music on piano and record it into my standard DAW; LOGIC. After adding bass and cajon, my intention was to cut the music into bars and then use my own javascript framework to integrate it into the web page.

  • The first challenge I encountered is related to all sorts of production of music where you have to follow a metronome. I’m quite used to it but still it doesn’t feel great to stick to a steady beat all the time. Especially not when going from one intensity level to another. To make the recording work this time I had to quantize my piano playing pretty thoroughly, especially near barlines, to make it repeat well.
  • The second challenge was the lack of lead-ins between the different intensities. I had to play the music without leading to the next level to make the loops work and therefor I wasn’t allowed to ramp either up or down before going to a new level. This challenge is not solved in my demo.
  • The third challenge was to make the synth phrases fit the harmonies in the different sections. I found a way of labelling my files in a way that made them lock to the correct section. Another solution would have been to use even fewer notes to make all phrases fit all chords. This challenge would be very important to solve for future implementations, though. Both for different sections but also for different bars or even smaller fractions of a bar to make sure the Motifs always are selected according to the current harmony.

This example is a part of a doctoral study at Royal College of Music and Royal Institute of Technology in Stockholm, Sweden. More information, papers, presentations, demos etc will be found at If you are interested, don’t hesitate to contact me:

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